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Appeals to Santiago
This classic ethnographic documentary depicts an eight-day Maya "cargo" ceremony in Chiapas, Mexico.
Bahia: Africa in the Americas
Noted actor Brock Peters narrates this remarkable documentary that examines the African cultural traditions preserved by the people of Bahia in their music, dance, art, food, and, especially, their Candomble religion.
Before Reggae Hit the Town
This unusual documentary explores the African roots of music, religion, and dance in Jamaica.
Before We Knew Nothing
This unique film breaks new ground in the ethnographic documentary. It is a brilliant portrait of the life and culture of the Ashaninka, who inhabit the Amazon rainforest of eastern Peru, as well as a profound reflection on the experience of living and filming among people who continue to resist acculturation into the standards of the modern world.
Between Light and Shadow: Maya Women in Transition
This vibrant, wide-ranging documentary examines the impact on contemporary Maya culture of changes in the lives and expectations of Maya women in Guatemala.
Birth and Belief in the Andes of Ecuador
This intimate portrait of women in four Andean communities documents their beliefs and practices surrounding childbirth and infant care.
Carnival in Q'eros
This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. See also The Films of John Cohen: Anthropology, Music, Cinema.
Cashing in on Culture: Indigenous Communities and Tourism
Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. This insightful documentary, filmed in the small tropical forest community of Capirona, in Ecuador, serves as an incisive case study of the many issues and potential problems surrounding eco- and ethnic tourism.
The Chinampas
This important documentary examines an ecologically sustainable system of agriculture that has flourished in Mexico for some 2,000 years.
Choqela: Only Interpretation
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. See also The Films of John Cohen: Anthropology, Music, Cinema.
Ch'ullacuy
Documents an ancient and important alpaca shearing ceremony that is still widely performed in the Andes. See also Three Films of the Andes.
Dancing with the Incas
This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas. See also The Films of John Cohen: Anthropology, Music, Cinema.
Darkness into Light: Semana Santa, San Miguel
This dramatic documentary explores the complex, overlapping ritual events and pageantry of Easter week in San Miguel de Allende, a colonial town in the hills of Guanajuato, in central Mexico. It is an outstanding and thought-provoking case study of the relationships between religion and culture.
Daughters of Ixchel: Maya Thread of Change
This illuminating documentary explores the lives of Maya women today, portrays their ancient weaving processes, and examines the economic, political, and cultural forces that are profoundly affecting the women and their weaving.
Festive Land: Carnaval in Bahia
This engaging documentary examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnaval that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil.
The Films of John Cohen: Anthropology, Music, Cinema
John Cohen is one of America's pre-eminent documentary filmmakers. His films are particularly noted for their visual richness and their deep understanding of the links between culture, music, art, and religion. His six documentaries filmed in Peru have all been acclaimed by scholars and critics and they have all won awards and honors at festivals and academic conferences around the world. The six are Carnival in Q'eros, Choqela: Only Interpretation, Dancing with the Incas, Mountain Music of Peru, Peruvian Weaving, and Q'eros: The Shape of Survival.
The Five Suns: A Sacred History of Mexico
This new "artistic and intellectual triumph" is by Patricia Amlin, the extraordinary animator who created our widely honored and best-selling film, Popol Vuh: The Creation Myth of the Maya.
The Forbidden Land
This informative and compelling documentary examines the growing divisions within the Catholic Church in Brazil and raises important questions about the role of the Church in the developing world.
Guadalupe, Mother of all Mexico
This groundbreaking documentary on Mexican popular culture explores the histories and miracles associated with the Virgin Mary as she is honored under the titles of Our Lady of Guadalupe, Our Lady of Remedies, Our Lady of Solitude, and Our Lady of San Juan de los Lagos.
Hail Umbanda
This unique, insider's view of Umbanda, the fastest-growing religion in Brazil, shows the cult's raucous pageantry and public festivals as well as its more esoteric, exotic, and rarely-seen ceremonies.
Hidden Scars
Torture has become a 20th-century epidemic -- a political epidemic, not a biological one. This powerful documentary examines this epidemic by profiling a Maya Indian who was falsely accused of collaborating with Guatemalan rebels, arrested, and tortured.
Huichol Sacred Pilgrimage to Wirikuta
This sensitive documentary follows the annual pilgrimage and peyote hunt of the Huichol Indians of western Mexico.
The Huichols
The Huichols, who live in the western Sierra Madre mountains of Mexico, are best known for their peyote rituals, their shamanistic practices, and their colorful, intricate textiles. However, like many indigenous peoples, the Huichols have no written history; the continuation of their culture depends on the vitality of their oral traditions.
Invisible Indians: Mixtec Farmworkers in California
This important video provides an interdisciplinary look at the history, culture, and current social and economic conditions of the Mixtec people of Oaxaca, Mexico.
Jose Joaquin Salcedo: The Multimedia Quixote
This inspirational documentary recounts the work and achievements of Jose Joaquin Salcedo, a South American priest who some 50 years ago developed a pioneering radio-based multimedia system to educate children and adults in his native Colombia.
Kantik'i Maishi: Songs of Sorghum
This beautifully filmed documentary explores the harvest celebrations of Bonaire and Curacao, two islands in the Netherlands Antilles.
The Last Zapatista
This remarkable documentary examines the profound and enduring legacy of Emiliano Zapata in contemporary Mexico. The film focuses on Emeterio Pantaleon, a 97-year-old Mexican farmer and one of the last living veterans who fought with Zapata during the Mexican Revolution of 1910 to 1920.
The Living Maya
This series documents life in a Yucatan village, focusing on one family over the course of a year.
Mas Fever: Inside Trinidad Carnival
Carnival in the New World is a synthesis of European elements -- Christian traditions and the masquerade -- and African elements -- primarily music and dance.
The Maya Pompeii
About 1,400 years ago, a sudden volcanic eruption buried a Maya agricultural village, sealing off intact what has become one of the most important discoveries in the Americas.
A Month for the Entertainment of Spirits
This informative video examines the ceremonies of African-Guyanese who continue the African traditions of making contact with the spirit world. The video begins with a libation ceremony celebrating emancipation, performed by descendants of slaves to make contact with their ancestors.
Mountain Music of Peru
This classic documentary on the centuries-old music of the Andes demonstrates the importance or the region's musical heritage in preserving the cultural identity of the impoverished native peoples. See also The Films of John Cohen: Anthropology, Music, Cinema.
Nakaj
Part ethnographic documentary and part hallucinatory fiction, this fascinating film vividly brings to life the mythical Andean nakaj, who attacks and kills unwary humans by stripping them of their fat. See also Three Films of the Andes.
The New Tijuana
Luis Valdez narrates this eye-opening probe of booming Tijuana, Mexico, the West Coast's second largest city after Los Angeles.
Nomads of the Rainforest
One of the great ethnographic films of the 1980s, this documentary records a multidisciplinary expedition to research the Waorani, a fierce and isolated Indian tribe that inhabits the Amazon rainforest.
Pancho Villa and Other Stories
This remarkable account of the Mexican Revolution (1910-1920) and one of its most important and enigmatic protagonists, Francisco "Pancho" Villa, is a unique achievement in the realm of historical documentaries.
Peruvian Weaving
This classic documentary examines warp pattern weaving in Peru, an ancient Andean Indian tradition handed down from woman to woman for some 5,000 years. See also The Films of John Cohen: Anthropology, Music, Cinema.
Popol Vuh: The Creation Myth of the Maya
This much-honored animated film employs authentic imagery from ancient Maya ceramics to create a riveting depiction of the Popol Vuh, the Maya creation myth and the foundation of most Native American religious, philosophical, and ethical beliefs. See also The Five Suns: A Sacred History of Mexico.
Q'eros: The Shape of Survival
An acclaimed depiction of the way of life of the Q'eros Indians of Peru, who have lived in the Andes for more than 3,000 years. See also The Films of John Cohen: Anthropology, Music, Cinema.
La Reina del Barrio
During the 40 days of Carnival in Montevideo, Uruguay, groups, called "murgas," of 18 to 20 men perform in open-air stages ("tablados") throughout the barrios of the city. Their shows, which combine song, drama, and comedy, satirize the main events of the year and are critical of Uruguayan politics and culture.
Roots, Thorns
Filmmaker Diane Kitchen is creating a new, complex style of ethnographic film, one that is visually rich and conceptually thick, one that emphasizes intimacy, lyricism, metaphor, and sometimes startling images drawn from her subjects' daily lives.
Runa: Guardians of the Forest
The profound ecological knowledge of native peoples like the Runa - an Indian community in Amazonian Ecuador - offers hope for the future preservation of the rainforests.
Sacred Games
Every year, in a small village in the highlands of Chiapas, in southern Mexico, thousands of Maya Indians gather to celebrate Carnival.
A Sheepherder's Homecoming
This widely acclaimed documentary is the first important film to explore the experience of a migrant worker returning to Mexico from the USA. With skillful artistry and ethnographic insight, the film provides a poignant and affecting human dimension to topics such as transnationalism and immigration, which are too often considered merely as abstract or statistical issues.
Taypi Kala: Six Visions of Tiwanaku
This highly original documentary follows five distinct cultural groups - tourists, U.S. archaeologists, urban Bolivian university students, a local Aymara family, and indigenous Aymara priests - who converge today at the monumental site of the ancient city of Tiwanaku, Bolivia.
Textiles in the Southern Andes
Explores the weaving traditions and techniques of Peru, whose textiles are famous throughout the world for their beauty and respected by specialists for the technical expertise exhibited in their weaving and dyeing. See also Three Films of the Andes.
Three Films of the Andes
This three-film series, all produced by Gabriela Martinez Escobar for Taruka Films of Peru, documents various aspects of Andean culture, ritual, and folklore. See Ch'ullacuy, Nakaj, and Textiles in the Southern Andes.
The Toured: The Other Side of Tourism in Barbados
Tourism is the second-largest industry in the world and the "touristic encounter" may be the most important contact front today between differing cultures.
Transnational Fiesta: 1992
Until recently, it was widely assumed that Native communities throughout the Americas would be absorbed into the mainstream or otherwise disappear.
Tremors in Guzman
This probing documentary visits Ciudad Guzman, a small Mexican city south of Guadalajara, to learn what everyday Mexicans think about the state of their country, its economy, and its political leaders.
Voices of the Orishas
This innovative ethnographic documentary demonstrates the survival and strength of the Yoruba cultural and religious heritage in the contemporary life of Caribbean African-Hispanics.
Voices of the Sierra Tarahumara
This powerful and eye-opening documentary examines the plight of the indigenous Tarahumara people of northern Mexico, who are oppressed by criminal drug lords and and trapped in a web of rampant deforestation, crippling drug wars, and governmental corruption.
Voodoo and the Church in Haiti
Despite centuries of vigilant opposition from the Catholic Church, Voodoo has flourished in Haiti.
Watunna
This stunning and universally acclaimed animated film depicts five stories from the creation myths of the Yekuana Indians who inhabit the Venezuelan rainforest.

Appeals to Santiago

This title is no longer distributed by UC Extension. For distribution information, contact:

Carter Wilson
georgecarter@cruzio.com

This classic ethnographic documentary depicts an eight-day Maya "cargo" ceremony in Chiapas, Mexico. The film is narrated by the participants themselves and focuses on the experiences of two men as they perform their expensive and exhausting duties for one of the town's patron saints. Produced by Duane Metzger and Carter Wilson.

27 min. Color 1969 Catalog #37362 Sale: video $150, Rental: video $50

"Compares to the finest in ethnographic films." -- John Collier, Jr., Prof. of Anthropology, San Francisco State Univ.


American Anthropological Assn. honoree
American Film Festival Award

Bahia: Africa in the Americas

This title is no longer distributed by UC Extension. For distribution information, contact:

Brewer Media Associates
mbrew105@aol.com

Located 1,000 miles north of Rio de Janeiro, the Brazilian state of Bahia is "the capital of African culture in the Americas." Noted actor Brock Peters narrates this remarkable documentary that examines the African cultural traditions preserved by the people of Bahia in their music, dance, art, food, and, especially, their Candomble religion. Excellent teaching notes by Prof. Sheila Walker, UC Berkeley. By Geovanni and Michael Brewer.

58 min. Color 1988 Catalog #37747
Sale: video $195, Rental: video $60

An outstanding work that educates us about the richness of our culture. -- Ruth Batson, Dir., Museum of Afro-American History, Boston


Natl. Educational Film Festival Award

Before Reggae Hit the Town

These titles are no longer distributed by UC Extension. For distribution information, contact:

Mark Gorney
gorney@sbcglobal.net

This unusual documentary explores the African roots of music, religion, and dance in Jamaica. It captures several of the principal folk traditions that still survive, including the music of the Maroons; Pocomania, a complex blending of African and Christian traditions; the dancing of the Junkanoo, which is celebrated every Christmas; and the music of the rebellious and persecuted sect of the Nyabinghi. Noted Rasta singer Justin Hinds links these traditions, which predate Jamaican popular music by hundreds of years, with today's reggae. By Mark Gorney.

21 min. Color 1992 Catalog #38147
Sale: video $125, Rental: video $50

Before We Knew Nothing

This title is no longer distributed by UC Extension. For distribution information, contact:

Diane Kitchen
dkitchen@uwm.edu

This unique film breaks new ground in the ethnographic documentary. It is a brilliant portrait of the life and culture of the Ashaninka, who inhabit the Amazon rainforest of eastern Peru, as well as a profound reflection on the experience of living and filming among people who continue to resist acculturation into the standards of the modern world. The film reveals the activities of men and women, the lush tropical environment, and the emotional climate of daily life. An exceptional aspect of the film is its sensitive exploration of the role, activities, and feelings of Ashaninka women. By Diane Kitchen. See also Roots, Thorns, by the same filmmaker.

62 min. Color 1989 Catalog #37869
Sale: video $195, Rental: $70

An absorbing achievement in ethnography. -- Prof. Steven G. Kellman, Univ. of Texas at San Antonio


American Anthropological Assn. selection
Women in the Director's Chair honoree
Film Arts Festival honoree
Films de Femmes Festival (Creteil, France) honoree
Uppsala (Sweden) Film Festival honoree
CineFestival San Antonio honoree

Between Light and Shadow: Maya Women in Transition

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This vibrant, wide-ranging documentary examines the impact on contemporary Maya culture of changes in the lives and expectations of Maya women in Guatemala. Traditionally, weaving and textiles have played a central role in the lives of Maya women. Today, however, Maya women are expanding their vision of their identity and their role: although they maintain important links to their cultural traditions, they are seeking greater access to education and entering such fields as teaching, health care, marketing, and painting. The film examines the lives of a number of these Maya women and explores their efforts to improve their social and economic situation and at the same time perpetuate and revitalize their rich traditional culture. Produced by Kathryn V. Lipke. See also Daughters of Ixchel: Maya Thread of Change.

27 min. Color 1997 Catalog #38398
Sale: video $175, Rental: video $50
Beautifully conceived, captured, and crafted, this documentary is at once visually appealing and thought-provoking. It focuses on Maya women, their art, and their changing role in Guatemalan society, and allows the women to speak memorably of themselves, their art, and their world. Through their voices the film also touches on such related issues as ethnic identity, pride, and revitalization. I highly recommend it for introductory classes in anthropology, women's studies, art, and Latin American studies. -- Prof. Richard Rinke, Dept. of Anthropology and Sociology, Champlain College


Best Independent Documentary, Canadian Intl. Film Festival

Birth and Belief in the Andes of Ecuador

This title is no longer distributed by UC Extension. For distribution information, contact:

Lauris McKee
laurmck6@aol.com

This intimate portrait of women in four Andean communities documents their beliefs and practices surrounding childbirth and infant care. Deprived until recently of modern medical care, rural Andean women have managed their reproductive practices by relying on an ethnomedical system that retains pre-Columbian magical elements. Cultural construction of the female body, ideas about conception (whether human or supernatural), motives for post-partum seclusion, and gender differences in the "natures" and needs of infants are all shown to be part of this ethnomedical system. The film demonstrates that although this system of "folk medicine" is based on magical premises, its prescribed practices usually confer real physical and emotional benefits on mothers and children alike. In Spanish, with English subtitles and innovative side-titles. Produced by Lauris McKee.

28 min. Color 1995 Catalog #38329
Sale: video $175, Rental: video $50


Anyone who thinks human birth is just runaway biology should see this film. It is excellent for bridging culture and biology in introductory anthropology courses, and would also complement medical anthropology and gender courses. -- Carol MacCormack, Prof. of Anthropology, Bryn Mawr College

Cashing in on Culture:
Indigenous Communities and Tourism

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. Eco-tourism and "ethnic" tourism, designed specifically to bring affluent and adventurous tourists into remote indigenous communities, are among the fastest-growing types of tourism worldwide. This insightful documentary, filmed in the small tropical forest community of Capirona, in Ecuador, serves as an incisive case study of the many issues and potential problems surrounding eco- and ethnic tourism. Those issues are shown to be simultaneously cultural, economic, and environmental, and are complexly intertwined for both indigenous communities and tourists.

The film interweaves illuminating sequences featuring the Quechua-speaking Capirona Indians, Ecuadorian tour operators, anthropologists and other academics, and college-age American tourists to examine the benefits and negative costs of such tourism to everyone involved. The film focuses in particular on how tourism has changed the lives of members of the indigenous community, which took eight years to decide to admit tourists into their villages. The cash flow from tourism that is managed directly by the Indians bypasses the fees normally exacted by travel agencies and tour operators and may be able to sustain the community if revenues are distributed equitably. But how do indigenous communities, in the context of global tourism and business interests, set up and run successful tourist operations without compromising their own cultural traditions and despoiling their environment?

"Cashing in on Culture" explores some of the most perplexing issues facing indigenous communities and raises a multitude of thorny questions. The film will generate discussion in a variety of courses in cultural anthropology, development and Third-World issues, and Latin American studies. It was produced by Prof. Regina Harrison, Univ. of Maryland.

28 min. Color 2002 Catalog #38556
Sale: video $195, Rental: video $75


Photo copyright Jean Colvin
 
"This frank and lucid video is sure to generate rich, complex class discussion. Without denying the possibility of a socially responsible tourism, the video bravely and candidly presents the challenges involved. Viewers are required to move beyond both idealistic and cynically resigned positions, and to see themselves in the eyes of others." -- Mary Louise Pratt, Prof. of Latin American Studies, New York Univ.

"This film is perfect for teaching about the complexities and contradictions of globalization as experienced on the ground by indigenous people who are themselves cultural and political actors on a local and global stage. It will engage students profoundly in complicated questions which the film persuades you to care about deeply." -- Brett Williams, Prof. of Anthropology, American Univ.

"This heartfelt essay on eco-tourism should elicit lively and informed discussion on the ethics, economics, and cultural issues involved, especially for the indigenous peoples." -- Pat Aufderheide, Prof. and Dir., Center for Social Media, American Univ.


American Anthropological Assn. honoree
Latin American Studies Assn. honoree
Society for Visual Anthropology honoree
First People's Festival (Montreal) honoree
CONAIE Indigenous Film Festival (Quito) honoree


The Chinampas

This title is no longer distributed by UC Extension. For distribution information, contact:

Anne Prutzman – Milestone Media
annieprutz@aol.com

This important documentary examines an ecologically sustainable system of agriculture that has flourished in Mexico for some 2,000 years. The chinampa zone, which now survives only on the southern edge of Mexico City, is a beautiful area of canals and islands, graceful willow trees, agricultural crops, and flowers. The video employs graphics, live action, and commentary by chinampa farmers to show how the phenomenally productive chinampa system works. It also shows how the growth and pollution problems of Mexico City threaten the survival of the remaining chinampa farmers. By Anne Prutzman.

31 min. Color 1990 Catalog #37984
Sale: video $195, Rental: video $50


A powerful visual document of great value to students of the environment and culture change. It brings a piece of Mexican history to life and is well suited to high school and college instruction.
-- Prof. John Adair, Dept. of Anthropology, San Francisco State Univ.


American Anthropological Assn. selection
Third World Studies Conference honoree

Daughters of Ixchel: Maya Thread of Change

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

Guatemalan Maya women are highly skilled weavers. Their textiles, created using the backstrap loom, are known worldwide for their excellent workmanship and design. Their weaving skills have been passed down from mother to daughter since ancient times. Not only are the designs and colors of the Maya textiles attractive and unique, they also carry the history and traditions of their communities. This illuminating documentary explores the lives of Maya women today, portrays their ancient weaving processes, and examines the economic, political, and cultural forces that are profoundly affecting the women and their weaving. By Kathryn Lipke Vigesaa and John McKay. See also Between Light and Shadow: Maya Women in Transition.

29 min. Color 1993 Catalog #38239
Sale: video $195, Rental: video $50


Deals seriously with tradition and the way tradition is changing in order to survive. I highly recommend the video for introductory cultural and social anthropology, as well as for courses in development and anthropology, art and anthropology, tourism, and Latin American studies. -- John Leavitt, Prof. of Anthropology, Univ. of Montreal


Society for Visual Anthropology Award
Intl. Film & TV Festival of NY Award
Canadian Intl. Film Festival honoree
American Anthropological Assn. selection


Festive Land: Carnaval in Bahia

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This perceptive and engaging documentary examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnaval that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnaval is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations.

At the same time, Carnaval reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnaval.

"Festive Land" explores the rich fabric of Bahian Carnaval from the points of view of four people of different social classes and backgrounds. Marcia is a young black percussionist trying to make a living as a musician. She sees Carnaval as an opportunity to pursue her dream. Ignez and Paulo come from upper-middle-class backgrounds and share a keen enthusiasm for the festival, but they seek out very different aspects of the celebration. Marcos views Carnaval as a way to remain connected to his African roots. Commentary is also provided by noted Brazilian artists, leaders, and scholars. Grammy winner Gilberto Gil gives a personal account of his participation in the quasi-religious "afoxe" group, Filhos de Gandhi. Daniela Mercury, one of the biggest pop stars in Brazil, discusses the varied influences shaping contemporary Bahian Carnaval music. Antonio Carlos dos Santos, founder of the group Ile Aiye, explains the significance of afro-centric Carnaval groups called "blocos afros," and describes how racism is reflected in the social dynamics of the celebration.

"Festive Land" will stimulate reflection and discussion in any course studying the African diaspora, cultural anthropology, Latin American studies, comparative religion, or ethnomusicology. It was produced by Carolina Moraes-Liu.

48 min. Color 2001 Catalog #38527
Sale: video $250, Rental: video $75


 
"Refreshingly, this film explodes the long-running myth that Carnaval subverts the racial and class hierarchies that trouble Bahia and Brazil during the rest of the year. The film is not only beautifully picturesque and musical, but also sociologically smart." -- James Matory, Prof. of Anthropology and Afro-American Studies, Harvard Univ.

"This engaging film can be used effectively in anthropology courses dealing with Latin America, religion, performance, and gender and sexuality. It also is appropriate for introductory cultural anthropology. The film raises interesting issues of cultural diversity, gender, race, and class, as it conveys the spirit of play, pleasure, and energy that permeates Carnaval in Bahia." -- Prof. Kathleen Zaretsky, Dept. of Anthropology, San Jose State Univ.

"Although perhaps not as famous as its spectacular cousin in Rio, Carnaval in Salvador da Bahia is nonetheless one of the most complex, fascinating, and beautiful pre-Lenten festivals in the world. This celebration involves expressions of Afro Brazilian religions, music, and dance, all set before a stunning coastal backdrop. This film provides an effective introduction to the festival and its various forms of organization. The narrative describes different levels and types of involvement in the festival by following several individuals before and during the celebration. The video will encourage discussion of how forms of festive play and display become entangled with representations and appropriations of cultural forms in a stratified multiracial society." -- Peter Tokofsky, Assoc. Adjunct Prof., Dept. of World Arts and Culture, UCLA

"Through observational footage and a series of fascinating and eclectic interviews, the video represents some of the complex cultural, class, and racial dynamics that underlie Carnaval celebrations in Bahia. At the same time it is both accessible and entertaining." -- Irina Leimbacher, Artistic Co-Director, San Francisco Cinematheque, and Lecturer in Anthropology, UC Berkeley


WorldFest-Houston Intl. Film Festival Award



The Films of John Cohen: Anthropology, Music, Cinema

John Cohen is one of America's pre-eminent documentary filmmakers. He was a founding member of the New Lost City Ramblers, which from 1958 to 1979 performed and recorded traditional folk music. He is also a noted still photographer and has exhibited at museums and galleries around the world. In the early 1960s he began to make films on indigenous music, tracing its roots in ancient cultures and exploring its contemporary social role in several countries. Since then he has produced a remarkable series of films that have been acclaimed by scholars and critics and won awards and honors at festivals and academic conferences worldwide. His films are particularly noted for their visual richness and their deep understanding of the links between culture, music, art, and religion. His films are rich in detail and full of vitality, and they are appreciated by scholars and enjoyed by general audiences. The University of California is proud to be the exclusive distributor of John Cohen's works. The following six documentaries were all filmed in Peru; please see the sections on "Ethnic Studies" and "European Ethnography" for other works of John Cohen.

Save 10% off the video purchase price of any three or more works by John Cohen!



Margaret Mead Film Festival honorees
Latin American Studies Assn. Awards of Merit
Cinema du Reel Festival (Paris) honorees
Festival dei Popoli (Florence) honorees
American Anthropological Assn. selections
Native American Film Festival honorees
Natl. Educational Film Festival Awards
Chicago Latino Film Festival honorees

Carnival in Q'eros

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures. The Q'eros play flutes and sing to their alpacas in a ritual to promote the animals' fertility. The film shows how the music evolves from individual, to family, to ayllu, to community, a structure of spiritual activity distinct from the structure of kinship. The Q'eros sing and play separately from each other, producing a heterophonic sound without rhythmic beat, harmony, or counterpoint -- a "chaotic" sound texture that exemplifies a key connection between the culture of the Andes and that of the Amazon jungle. The film also focuses on the protracted negotiations by which the Indians were compensated for their participation in the project.

32 min. Color 1991 Catalog #38094
Sale: video $295, Rental: $50


A rare and delightful film that presents wonderful performances in their 20th-century context and guarantees animated class discussions. -- Anthony Seeger, ethnomusicologist and Curator, Smithsonian Institution

Choqela: Only Interpretation

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

12 min. Color 1987 Catalog #38164
Sale: video $150, Rental: video $40
A visually stunning and linguistically provocative work. The mysteries of interpretation and ritual performance presented in this film should be suitable for most audiences, although those involved in Latin American studies and related disciplines will find much to ponder. -- American Anthropologist

Dancing with the Incas

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas. The film shows how ancient Incan music passed down through the centuries has a contemporary life of its own in the cities of Peru. Lima on Sundays is alive with Huayno music, in which one hears authentic Inca melodies performed on every conceivable type of instrument. In the moody lyrics, the musings of oppressed people assume an existential and timeless quality even when a carnival atmosphere prevails. This is one of the few ethnographic films that deals with complex issues of cultural mixture. Rather than focusing on a single community or ethnic group, the film investigates a broad cultural region and illustrates what happens to it as it confronts the commercial traditions and demands of the West.

58 min. Color 1992 Catalog #38163
Sale: video $295; Rental: video $70


A tour-de force! Musically rich and politically poignant, this work paves the way for a new kind of ethnographic film. It demonstrates how members of the Peruvian urban poor are transforming rural indigenous traditions and producing an entirely new artistic genre that is sensitive to Andean musical structures and to contemporary popular culture. While focusing on the music, the film never lets us forget the economic struggles of the people who perform.-- Judith Friedlander, Prof. of Anthropology and Dean of Social Sciences, Hunter College, City Univ. of New York

Mountain Music of Peru

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
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(after July 15, 2004)

This classic documentary portrait of the centuries-old music of the Andes demonstrates its importance in preserving the cultural identity of the impoverished native peoples. The musical thread that runs through the Andes extends back past the ancient culture of the Incas, and it is strong enough to have successfully resisted both the Spanish conquest and the forces of modern Western culture. This musical journey travels from small towns and remote mountain villages to the capital city of Lima, showing how Peru's popular music connects even the most isolated people.

60 min. Color 1984 Catalog #38169
Sale: video $295, Rental: video $70
Superb.... Recommended for general audiences as well as for college courses in cultural anthropology, Latin America, and ethnomusicology. -- Choice

Peruvian Weaving

This title is no longer distributed by UC Extension. For distribution information, contact:

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(after July 15, 2004)

Examines warp pattern weaving in Peru, an ancient Andean Indian tradition handed down from woman to woman for some 5,000 years. Features a detailed demonstration of the warp pattern technique on back-strap and four-stake looms by Indian weavers and an interview with Dr. Junius Bird, of the American Museum of Natural History, who discusses this weaving tradition and analyzes significant examples.

25 min. Color 1980 Catalog #38168
Sale: video $195, Rental: video $50

Q'eros: The Shape of Survival

This title is no longer distributed by UC Extension. For distribution information, contact:

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(after July 15, 2004)

An acclaimed depiction of the way of life of the Q'eros Indians of Peru, who have lived in the Andes for more than 3,000 years. Their economy is nearly self-sufficient and their location, at 14,000 feet, is well adapted for their alpacas (raised for wool) and their llamas (beasts of burden). The Q'eros employ the same agricultural methods, play the same panpipes and flutes, and weave cloth using the same patterns as those described by Spanish chroniclers in the 16th century. The film presents Q'eros music in its shepherd and religious functions and shows weaving as an integral part of family life.

53 min. Color 1979 Catalog #38167
Sale: video $295, Rental: video $70


Darkness into Light: Semana Santa, San Miguel

This title is no longer distributed by UC Extension. For distribution information, contact:

San Rafael Films
http://www.sanrafaelfilms.org

This dramatic documentary explores the complex, overlapping ritual events and pageantry of Easter week in San Miguel de Allende, a colonial town in the hills of Guanajuato, in central Mexico. It is an outstanding and thought-provoking case study of the relationships between religion and culture. The film examines the numerous services and processions -- some widely familiar, some rarely known outside of Latin America -- that mark the observance of Holy Week, culminating on Good Friday, when three separate processions fill the streets. The film beautifully captures the power and the passion of the events and demonstrates their importance as an expression of a religious faith that is integral to the culture of the region. Interwoven through the narrative recounting of the Holy Week rituals is an outstanding introduction to Mexico's cultural history from the 16th century to the present, including a vivid account of the 20th-century's little-known Cristeros revolution. This film will generate discussion and analysis in a wide variety of courses in cultural anthropology, comparative religion, or Latin American studies, and is essential viewing in any course on the history and culture of Mexico. Produced by Patricia Lacy Collins and Robert Cozens.

56 min. Color 1997 Catalog #38422
Sale: video $195, Rental: video $75
Darkness into Light: Semana Santa, San Miguel

The nature of Mexican culture cannot be understood integrally without taking into account the powerful influence of religion. This film captures and demonstrates, as no book can, the depth and intensity of the religious experience, which remains a clear source of pride and an element of vital importance in the cultural life of Mexico.
-- R.J. Schiefen, Prof. of History, Univ. of St. Thomas, Houston, Texas


WorldFest Houston Award
Columbus Intl. Film Festival Award


The Five Suns: A Sacred History of Mexico

This title is no longer distributed by UC Extension. For distribution information, contact:

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(after July 15, 2004)

This new "artistic and intellectual triumph" is by Patricia Amlin, the extraordinary animator who created our widely honored and best-selling film, Popol Vuh: The Creation Myth of the Maya. Just as Popol Vuh took authentic images from ancient Maya ceramics and turned them into a riveting retelling of the Maya creation myth, so The Five Suns employs authentic pre-Columbian Aztec iconography to depict the most important creation myths and sacred stories of the Aztecs and other Nahuatl-speaking peoples of ancient central Mexico. All imagery derives from the colorful and brilliant art style of late post-Classic Mexico (A.D. 1250-1521), as taken from the body of pre-Conquest codices known collectively as the Borgia Group. These ancient screenfold books are filled with detailed and vivid scenes of native calendrics, rituals, mythical events, and cosmology. The Five Suns tells how Quetzalcoatl and Tezcatlipoca create heaven and earth, journey to the underworld to create humans and find sustenance for them, and finally create the sun and the moon. Like all creation stories, this one provides mythic answers to life's most perplexing questions and offers an ethical vision of how we should live. The Five Suns is essential viewing in a wide variety of classes and at many educational levels. Funded by a grant from the National Endowment for the Humanities.

59 min. Color 1996 Catalog #38335
Sale: video $295, Rental: video $75


An impressive achievement! The film combines scholarly rigor and accuracy with great artistry and beauty. The filmmakers are entirely adept in the conventions and style of the period, and it is truly wonderful to see this brilliantly colored artwork come alive in sound and motion. -- Karl Taube, Prof. of Anthropology, UC Riverside

An amazingly happy combination of scholarly accuracy and artistic quality. I presently use the Popol Vuh film in two separate courses, but the combination of it with this new film will provide me with a wonderful introduction for students to two important Mesoamerican mythologies and a vivid 'compare and contrast' showcase for two different Mesoamerican artistic styles. -- Peter L. van der Loo, Prof. of Humanities and Religious Studies, Northern Arizona Univ.


"Special Jury Citation," Native Americas Intl. Film Exposition, Santa Fe
American Anthropological Assn. Selection
American Society for Ethnohistory honoree

The Forbidden Land

This informative and compelling documentary examines the growing divisions within the Catholic Church in Brazil and raises important questions about the role of the Church in the developing world. Through its examination of the situation in Brazil, the film explores the social, economic, and political roots of similar struggles being waged throughout Central and South America. On one side of the conflict is the conservative heirarchy, which maintains that the Church should stay out of politics and concentrate on saving souls. On the other side are the progressive followers of Liberation Theology, who argue that the Church must take up the cause for social justice. At the heart of this dispute are the army of poor and dispossessed Brazilians who clamor for land reform and the wealthy and powerful landowners and developers who oppose them. Directed by Helena Solberg for the National Film Board of Canada. Note: This title is only available for sale from us to customers in the USA. Customers in other countries should contact the National Film Board of Canada directly.

58 min. Color 1994 Catalog #38277
Sale: video $195, Rental: video $70



Latin American Studies Assn. Award of Merit
Wilbur (National Religious Public Relations Council) Film Award


Guadalupe, Mother of all Mexico
Veneration of the Virgin Mary has been a vital part of Mexican life for almost 500 years. Today, millions of Mexican devotees make their way to shrines to the Virgin throughout the country. They travel in busses and cars, on bicycles, and on foot. They walk to the sound of Indian drums, oompah bands, and mariachi brasses. Some pilgrims are barefoot. Some enter the shrines on their knees.

This groundbreaking documentary on Mexican popular culture explores the histories and miracles associated with the Virgin Mary as she is honored under the titles of Our Lady of Guadalupe (in Mexico City), Our Lady of Remedies (in Comonfort, Guanajuato), Our Lady of Solitude (in Oaxaca), and Our Lady of San Juan de los Lagos (in Jalisco). The four Marian celebrations examined all date from the Transition period of the 16th and 17th centuries, and each illustrates important syncretic joinings of vastly different cultures.

The film interweaves memorable scenes from pilgrimages, feast day celebrations, and other public spiritual events with insightful commentary by devotees, observers, and scholars. In so doing it vividly illustrates how spiritual life has helped shape Mexican culture throughout history -- even in pre-Christian times -- and continues to do so today. Music is intrinsic to the story -- Indian music for dance, and music with Nahuatl and Spanish lyrics.

"Guadalupe: Mother of All Mexico" will stimulate reflection and discussion in any course studying Mexican culture and in a variety of courses in cultural anthropology, Latin American studies and history, popular culture, and comparative religion. It was produced by Patricia Lacy Collins and Robert S. Cozens.

56 min. Color 2001 Catalog #38515
Sale: video $195, Rental: video $75


 
"Makes a great contribution toward understanding the role and importance that the Virgin of Guadalupe plays in Mexican culture. The film adds to an understanding of Latin American culture that should be basic to the study of Latin American history or the Spanish language. It also adds new dimensions to the study of theology and anthropology because of its focus on the relationship between the human person and God (or gods), and between the individual and the Mother of God venerated under the title of the Virgin of Guadalupe." -- J. Michael Miller, President, Univ. of St. Thomas


Hail Umbanda

This unique, insider's view of Umbanda, the fastest-growing religion in Brazil, shows the cult's raucous pageantry and public festivals as well as its more esoteric, exotic, and rarely-seen ceremonies. A blending of Catholicism with traditional African and Native American religions, Umbanda is characterized by ritualistic sacrifices and offerings and altered states of consciousness described by devotees as possession by supernatural beings. Includes commentary by numerous authorities and practitioners, but focuses on one Painho or Pai de Santo (Father of the Gods), who introduces and explains many different aspects of Umbanda. By Jose Araujo.

46 min. Color 1988 Catalog #37733
Sale: video $195, Rental: $60



Margaret Mead Film Festival honoree
CineFestival San Antonio honoree
Western Psychological Assn. honoree
Film Arts Festival honoree

Hidden Scars

Torture has become a 20th-century epidemic -- a political epidemic, not a biological one. This powerful documentary examines this epidemic by focusing on the story of Miguel, a Quiche Maya Indian who was falsely accused of collaborating with Guatemalan guerrillas, tortured for days, then dumped on a roadside near Guatemala City. He escaped through Mexico to the U.S., where he is seeking asylum. The video documents Miguel's shattering experience and explores its continuing effects on his life. It also provides a broad overview of the scope of torture in Latin America and on the difficulties facing refugees in the U.S. This is a work that should be seen by all students of anthropology, for it graphically portrays problems faced by many of the native peoples around the world who are studied more abstractly in anthropological texts. Produced by Grace Barnes.

50 min. Color 1994 Catalog #38286
Sale: video $195, Rental: video $60
A stunning visual document that breaks through the wall of silence that the torturers impose on their victims. -- Victor Perera, author of Unfinished Conquest: The Guatemalan Tragedy

An excellent introduction to the complex reality of torture and exile, as experienced by one Maya survivor. I highly recommend this work as a resource to my colleagues and their students. -- M. Brinton Lykes, Prof. of Counseling and Psychology, Boston College


Latin American Studies Assn. Award of Merit
American Anthropological Assn. selection
American Psychological Assn. honoree

Huichol Sacred Pilgrimage to Wirikuta

This sensitive documentary follows the annual pilgrimage and peyote hunt of the Huichol Indians of western Mexico. It focuses on the sacred sites, the traditional ceremonies and rituals, and the teachings of the Huichol shamans and elders. Includes the Huichol songs and music that accompany the journey and shows that people now come from around the world to join the pilgrimage. By Larain Boyll.

29 min. Color 1991 Catalog #38096
Sale: video $195, Rental: video $50


It is rare that an ancient tradition and the world of a shaman can still be experienced in our times. This video is not only a beautiful visual experience; it also oVers deep insights into the humanness of the Huicholes. -- Dr. Ruth-Inge Heinze, anthropologist, UC Berkeley; author of Shamans of the 20th Century

An anthropological gem. -- Prof. Stanley Krippner, California Institute of Integral Studies


CineFestival San Antonio honoree
Intl. Conference on the Study of Shamanism honoree
American Anthropological Assn. selection

The Huichols

The Huichols, who live in the western Sierra Madre mountains of central Mexico, are best known for their peyote rituals, their shamanistic practices, and their colorful, intricate textiles. However, like many indigenous peoples the Huichols have no written history; the continuation of their culture depends on the vitality of their oral traditions. Chilio Sanchez and Luis Gonzalez, from Las Guayabas, a small Huichol village, are working to preserve the oral traditions and histories of their people. In this unusual documentary they share some of the history, culture, traditional tales, and art of the Huichol. A film by Ryan Noble.

28 min. Color 1997 Catalog #38423
Sale: video $150, Rental: video $50


An important addition to the field of ethnography. -- John Hawkins, Dept. Chair and Prof. of Anthropology, Brigham Young Univ.

An insightful view of Huichol art and culture and how they are influenced by the Huichol religion of sacred peyote consumption.
-- David Scheerer, Prof. of Anthropology, Montana State Univ., Bozeman


Arizona Intl. Film Festival Award

Invisible Indians: Mixtec Farmworkers in California

This important video provides an interdisciplinary look at the history, culture, and current social and economic conditions of the Mixtec people of Oaxaca, Mexico. It examines the factors causing ever-increasing numbers of Mixtecs to become migrants, living part of the year in Oaxaca and part in California, where they make up between five and ten percent of the total agricultural work force. The video provides an excellent introduction to Mixtec culture and invaluable background information for understanding the role of migrant farmworkers in California and America. A useful instructor's guide enhances the video. Spanish-language version available; please inquire. Produced by the Division of Information Technology, UC Davis, for Dr. James Grieshop, Dept. of Applied Behavioral Sciences, and Prof. Stefano Varese, Dept. of Native American Studies.

43 min. Color 1993 Catalog #38251
Sale: video $195, Rental: video $50


A unique introduction to the presence of indigenous Mexicans in the modern global economy and California agriculture. A useful tool for anthropology, ethnic studies, and agriculture classes
-- Juan Vicente Palerm, Prof. of Anthropology, UC Santa Barbera

Jose Joaquin Salcedo: The Multimedia Quixote

This inspirational documentary recounts the work and achievements of Jose Joaquin Salcedo, a South American priest who some 50 years ago developed a pioneering radio-based multimedia system to educate children and adults in his native Colombia. This innovative distance-education system, known as "Accion Cultural Popular" (ACPO), has spawned similar grassroots educational programs in more than 20 other nations. The film explores Salcedo's personality and ideology and features interviews, commentary, and rare archival footage of Salcedo and ACPO. It forcefully conveys Salcedo's belief that education for critical literacy is a means to empower campesinos and other ordinary people to be full and equal participants in the creation and maintenance of just, equitable, and democratic societies. He saw the task of developing the mind to be a fundamental prerequisite to any country's progress, and an urgent necessity throughout Latin America. Produced by Mauricio Salas.

29 min. Color 1997 Catalog #38424
Sale: video $150, Rental: video $50
This finely crafted film moves at a nice clip by blending brief interviews with people who knew Salcedo and his programs with footage of the rural areas where Salcedo worked. The video is clearly broken up into several themes and gives just the right amount of information to make those themes clear and warrant discussion in the classroom after viewing. -- Michael Johns, Prof. of Latin American Studies, UC Berkeley

I plan to use this excellent portrayal in my courses in adult education for democracy, as it fills an important vacuum in our historical knowledge. It is a well-wrought examination of one of the important pioneers in adult education, one who stands in the grand tradition of Jose Marti and Eduard Lindeman. Father Salcedo is an immediate forerunner of Paulo Freire, whose work he significantly influenced. The film vividly reminds us that there have always been vital pioneers in education in areas of the world other than North America and Europe, and that they have much to teach us.
-- John Hurst, Prof. of Education, Graduate School of Education, UC Berkeley


"Outstanding Documentary," Silver State Documentary Festival
Natl. Educational Film Festival Award
Chicago Latino Film Festival honoree

Kantik'i Maishi: Songs of Sorghum

This beautifully filmed documentary explores the harvest celebrations of Bonaire and Curacao, two islands in the Netherlands Antilles. It demonstrates how industrialization and the rise of a tourist economy have profoundly changed these African-derived folk festivals. Known as Simadan in Bonaire and Seu in Curacao, the festivals celebrate through traditional food, song, and dance the harvesting of sorghum, formerly a staple food. The video highlights the different ways that Simadan and Seu are celebrated and examines the historical roots of these differences. Produced by Joan Kaufman; co-produced and narrated by Elsio Jansen.

58 min. Color 1992 Catalog #38156
Sale: video $195, Rental: video $60


Preserves a valuable moment of the African cultural heritage in the Caribbean.... Should become an integral part of courses in anthropology, African studies, ethnomusicology, folklore, history, and sociology. -- Prof. Gerdes Fleurant, Coordinator of African American Studies, Salem State College


Latin American Studies Assn. Award of Merit
Chicago Latino Film Festival honoree
Black Heritage Film Festival honoree
American Anthropological Assn. selection

 

The Last Zapatista

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This remarkable documentary examines the profound and enduring legacy of Emiliano Zapata in contemporary Mexico. The film focuses on Emeterio Pantaleon, a 97-year-old Mexican farmer and one of the last living veterans who fought with Zapata during the Mexican Revolution of 1910 to 1920. Emeterio remembers the Revolution's call for tierra y libertad as he struggles on his corn field in Morelos. Recent legislation to privatize traditional community lands is destroying the communal farming system that Zapata promoted and fought for, and all over Mexico campesinos are being forced to sell their lands. But Emeterio will not surrender his ideals, stubbornly riding out to tend his fields even as his own sons emigrate to the U.S. And Emeterio is not alone in his struggle, for a new generation of Zapatistas in Chiapas is also fighting to regain communal lands and in so doing is bringing renewed hope to Emeterio and millions of other beleaguered Mexican farmers.

This dramatic and poetic film is a tribute to Mexico's campesinos. It portrays their ongoing struggle for the land while also relating the now-legendary story of the folk hero Zapata. Near-mystical beliefs about Zapata are recounted in interviews with farmers, still-living Zapata family members, and members of the Mexican government who actively try to co-opt his myth and legend. Highlighted by rare archival footage of Zapata and the Mexican Revolution, The Last Zapatista demonstrates that the heritage and ideals of zapatismo will drive Mexico's agrarian struggle long into the future. This is essential viewing for any course in Mexican history or culture, Latin American studies, cultural anthropology, or development issues. Produced by Susan Lloyd.

30 min. Color 1996 Catalog #38418
Sale: video $195, Rental: video $60
The Last Zapatista

This is the first film to tell the true story of my father and the untold struggle for the land in Mexico today. -- Ana Maria Zapata, daughter of Emiliano Zapata

This film has had an overwhelming response in my classes in Latin American history. It brings home to students the reality of Zapata's heritage in a way that no lecture or reading could ever do. Poignant and compelling, it is an important educational tool for a wide variety of classes in history and Latin American studies. --
Stephanie Wood, Prof. of History, Univ. of Oregon

A vital and vitally relevant film for American audiences today, rich in insight and historical context for understanding the present political and economic crisis in Mexico. The film is an excellent teaching tool; it clearly shows the connections between Mexico's revolutionary past and its present, doing so in a way that humanizes the struggle and its participants. It will remain crucially important for the forseeable future. -- John Foran, Prof. of Sociology, Univ. of California, Santa Barbara


Cine Latino Film Festival honoree
CineFestival San Antonio honoree
Latino Film and Video Festival honoree
Northwest Film and Video Festival honoree


The Living Maya

This series documents life in a Yucatan village, focusing on one family over the course of a year. The films explore the ancient agricultural and religious customs that ground contemporary Maya life in traditional values -- even as modern Mexico comes to the village. In Maya, Spanish, and English, with English subtitles. By Hubert Smith.

Save More Than 20%
Special Series Price: $395

58 min. each Color 1985 Catalog #37190-37193
Sale: video $125 each, Rental: video $60 each



CINE Golden Eagle Award
PBS national broadcasts
Margaret Mead Film Festival honoree
Choice Outstanding Nonprint Media Award

Program 1
Introduces the village of Chican and the Colli-Colli family, and examines the structure of Maya agricultural and village life.

Program 2
Hard-pressed by an illness in the family, the Colli-Colli face financial and emotional challenges using traditional solidarity to muster resources and comfort. Drought threatens the village's crucial corn crop.

Program 3
The Colli-Colli's two youngest sons plead to be placed in school in Merida -- the first of their family to reject traditional life.

Program 4
As the Colli-Colli resolve their difficulties and the village harvests a mediocre corn crop, viewers are left with an understanding of the underlying rationales of Maya life and with questions about their own assumptions, priorities, and values.

58 min. each Color 1985 Catalog #37190-37193
Sale: video $125 each, Rental: video $60 each



Mas Fever: Inside Trinidad Carnival

Carnival in the New World is a synthesis of European elements -- Christian traditions and the masquerade -- and African elements -- primarily music and dance. In Trinidad, Carnival is a colorful, exuberant celebration of national focus and pride. Preparations are made throughout the year and reach a frantic pace just before Carnival begins. This informative and thoroughly enjoyable documentary goes behind the scenes to capture the spirit of the celebration and explore its major events and aspects. The video features sequences on the history and culture of steel drum and calypso music and comes with a printed glossary of Trinidad Carnival terms. This is a timeless and essential work for all classes dealing with the African diaspora, cultural anthropology, Caribbean or Latin American studies, comparative religion, or ethnomusicology. Produced by Larry Johnson and Glenn Micallef.

55 min. Color 1996 Catalog #38351
Sale: video $195; Rental: video $60


A lastingly artful presentation of the buzzing confusion and profundity of Carnival. The interviews are illuminating and the steel music, always difficult to capture on tape, comes through majestically. The video offers a rare glimpse of the human spirit liberated from the chains of everyday decorum, at home in the company of dancing gods. -- The Beat (journal of world music)


Official Video of the Smithsonian Institution's "Caribbean Festival Arts" International Touring Exhibition
American Anthropological Assn. selection

The Maya Pompeii

About 1,400 years ago, a sudden volcanic eruption buried a Maya agricultural village, sealing off intact what has become one of the most important discoveries in the Americas. The ancient villagers of Joya de Ceren, in what is now El Salvador, had barely enough time to escape with their lives; they left behind their homes and their possessions and inadvertently provided historians, archaeologists, and scholars with the most complete record of ancient everyday Maya life ever discovered. This remarkable documentary explores the historic village and examines its relationship to the ancient Maya world and other major Maya sites throughout Central America. On-location footage and extraordinary 3D computer animation are combined to recreate the ancient village of Joya de Ceren and the resplendent Classical city of Tikal. The film recounts ancient Maya achievements in agriculture, architecture, astronomy, and art. It also documents the lives of the Maya today, highlighting ancient ceremonies still practiced in Central America. The film illustrates the rich contributions of the modern Maya to music, the visual arts, and folkloric expressions, and speculates on the impact of the detailed knowledge revealed in Joya de Ceren on the lives of contemporary Maya as they struggle for economic equality and civil rights in their native countries. This is one of the best general introductions to the Maya available and is a must for courses in Latin American and Native American studies, anthropology, and archaeology. Produced by Eva Wunderman and Nick Versteeg.

47 min. Color 1996 Catalog #38369
Sale: video $225, Rental: video $60

A Month for the Entertainment of Spirits

This informative video examines the ceremonies of African-Guyanese who continue the African traditions of making contact with the spirit world. The video begins with a libation ceremony celebrating emancipation, performed by descendants of slaves to make contact with their ancestors. Then it studies four Comfa ceremonies and explores their similarities with other rituals that access the spirit world. By Dr. Kean Gibson, Univ. of the West Indies, Barbados.

30 min. Color 1992 Catalog #38143
Sale: video $125, Rental: video $50

The New Tijuana

Luis Valdez narrates this eye-opening profile of booming Tijuana, Mexico, the West Coast's second largest city after Los Angeles. As Tijuana struggles between its heritage as a Third World border town with a sordid past and its promise as an international center of finance and high technology, it is rapidly emerging as the cutting edge of Mexico's political, social, and economic transformation. Essential viewing for understanding modern Mexico and the free trade agreement between it and the U.S. Produced by Paul Espinosa for KPBS San Diego.

58 min. Color 1991 Catalog #38067
Sale: video $295, Rental: $60
Takes us beyond the myths and glitter to reveal a large and economically important Latin American urban center.... Recommended highly for courses on Mexican history and politics, peoples and cultures of Latin America, urban studies and urbanization, and Third World development. -- Prof. Leo Chavez, Dept. of Anthropology, UC Irvine


Natl. Conference of Christians and Jews Award
American Film Festival Award
PBS National Broadcast
San Antonio CineFestival honoree

Nomads of the Rainforest

One of the great ethnographic films of the 1980s, this documentary records a multidisciplinary expedition to research the Waorani, a fierce and isolated Indian tribe that inhabits the Amazon rainforest. Contains spectacular scenes of the skilled Waorani blowgun hunters in their lush jungle environment. Also examines the daily life and rituals of this egalitarian tribe whose members have no concept of competition or rank and who are completely free of such Western diseases as cancer, strokes, and heart disease. Produced by Grant Behrman.

59 min. Color 1987 Catalog #37559
Sale: video $295, Rental: video $60


One of the finest ethnographic films... deserves to take its place among such classics as The Hunters, Dead Birds, and The Feast. -- Robert Carneiro, Curator of South American Ethnology, Museum of Natural History, New York


CINE Golden Eagle Award
American Anthropological Assn. selection
Margaret Mead Film Festival honoree
Media & Methods Award
PBS National Broadcasts on Nova


Pancho Villa and Other Stories
This remarkable account of the Mexican Revolution (1910-1920) and one of its most important and enigmatic protagonists, Francisco "Pancho" Villa, is a unique achievement in the realm of historical documentaries. At the center of the film are the personal stories of men and women -- all now deceased -- who were witnesses to and participants in the Revolution.

These oral histories, which were conducted from 1986 to 1994 throughout Mexico and the southwestern U.S., flow seamlessly between historical incident and legends associated with the deeds of Villa and his La Division del Norte. Among those whose stories unfold are Soledad Seanez, the wife of Villa at the time of his death, residents of Columbus, New Mexico, who recall Villa's attack on the U.S., and those who fought both with and against Villa.

The film is extraordinary for its pioneering use of new digital technologies, through which it brings a compelling and contemporary look to some 250 rare vintage photographs of Villa and the Revolution as well as authentic motion picture footage shot by U.S. and Mexican film crews on the Revolution's battlefields. These images are skillfully interwoven with the words and memories of those interviewed to create a fascinating, sometimes mysterious, and always riveting historical exploration that will inspire discussion and analysis in all courses on Mexican and 20th-century history, as well as in any course concerned with the nature of historical research and inquiry. Produced by Phillip Rodriguez.

40 min. Color 2000 Catalog #38483
Sale: video $195, Rental: video $70


 
"A valuable tool for the teaching of Mexican history. Beautiful and compelling, the film offers students a rare glimpse at the Mexican Revolution and one of its legendary figures. A fine contribution to the genre." -- James W. Wilkie, Prof. of Mexican History and Co-Chair, Latin American Studies Program, UCLA

"A very perceptive portrayal of popular attitudes toward one of 20th-century Mexico's most revered and controversial personalities." -- Friedrich Katz, Prof. of Latin American History, Univ of Chicago, and author, "The Life and Times of Pancho Villa"

"Perfectly captures the feeling of the period! The execution of 'someone' by the firing squad could have been my grandfather, who was killed that way when my father was eight. My father died in 1994, 86 years old. He spoke just like those in this documentary." -- Refugio Rochin, Dir., Smithsonian Center for Latino Initiatives



San Antonio CineFestival Award
New York Latino Film Festival honoree
Los Angeles Latino Film Festival honoree
Smithsonian Institution Screening honoree


Popol Vuh: The Creation Myth of the Maya

This title is no longer distributed by UC Extension. For distribution information, contact:

Berkeley Media LLC
info@berkeleymedia.com
http://www.berkeleymedia.com
(after July 15, 2004)

This much-honored animated film employs authentic imagery from ancient Maya ceramics to create a riveting depiction of the Popol Vuh, the Maya creation myth and the foundation of most Native American religious, philosophical, and ethical beliefs. The film introduces the Maya and relates the entire tale, beginning with the creation of the world and concluding with the victory of the Hero Twins over the evil lords of the Underworld. There are logical stopping places at quarter-hour intervals to facilitate viewing by younger students. Teacher's guide co-authored by filmmaker Patricia Amlin and Prof. James A. Fox, Stanford University. See also The Five Suns: A Sacred History of Mexico, by the same filmmaker.

60 min. Color 1989 Catalog #37902
Sale: video $295, Rental: $70

Spanish-language version #38183
Sale: video $295, Rental: video $70


Patricia Amlin has made this great Native American Indian myth one that a person of any age -- child, teenager, adult -- can appreciate. The film makes the tale access